Sri Darbar Sahib ji 170 years apart

The two images of Sri Darbar Sahib Ji Amritsar are separated by approximately 170 years. 

Certainly! Sikh kirtan, or devotional music, has evolved over the centuries, reflecting cultural and historical changes. During the pre-colonial era, string instruments like the Rabab, sarangi, taus, dilruba, saranda, and others were commonly used to accompany Sikh kirtan at Sri Darbar Sahib Ji in Amritsar.

These string instruments were an integral part of the Sikh musical tradition and were played by skilled musicians known as "rababis." The resonant and melodic sound produced by these instruments added depth and richness to the kirtan performances.

However, with the onset of the colonial era and European influence in India, the harmonium, which originated from France, gained prominence in Sikh kirtan. Introduced to India in the 19th century, the harmonium quickly became popular due to its portability, ease of use, and ability to produce a wide range of sounds.

The harmonium, often referred to as the "Vaaja" in Punjabi, gradually replaced many of the traditional string instruments. It became a common accompanying instrument in gurdwaras (Sikh places of worship) for kirtan performances. Its distinct sound and versatility made it well-suited for the evolving needs of Sikh kirtan.

This shift from string instruments to the harmonium represented a change in the musical landscape of Sikh kirtan, influenced by colonial-era dynamics and the introduction of new musical instruments from other cultures. Despite these changes, the essence of devotional singing and the spiritual significance of kirtan have remained integral to the Sikh tradition.

I hope this provides a more detailed explanation of the transition from string instruments to the harmonium in Sikh kirtan.