Ajanta Caves Visit 2014

      

Harvinder and me took a taxi from Aurangabad and hopped at Guru Singh Sabha Gurdwara on our way to AjantaCaves. We had to travel 104 Km to reach the spot.

Like the other ancient Buddhist monasteries, Ajanta had a large emphasis on teaching, and was divided into several different caves for living, education and worship, under a central direction. Monks were probably assigned to specific caves for living. The layout reflects this organizational structure, with most of the caves only connected through the exterior. The 7th-century travelling Chinese scholar Xuanzang informs us that Dinnaga, a celebrated Buddhist philosopher and controversialist, author of well-known books on logic, lived at Ajanta in the 5th century. In its prime the settlement would have accommodated several hundred teachers and pupils. Many monks who had finished their first training may have returned to Ajanta during themonsoon season from an itinerant lifestyle.

There are 30 caves in Ajanta of which 9, 10, 19, 26 and 29 are chaitya-grihas and the rest are monasteries. These caves were discovered in AD 1819 and were built up in the earlier 2nd century BC-AD. Most of the paintings in Ajanta are right from 2nd century BC-AD and some of them about the fifth century AD and continued for the next two centuries. All paintings shows heavy religious influence and centre around Buddha, Bodhisattvas, incidents from the life of Buddha and the Jatakas. The paintings are executed on a ground of mud-plaster in the tempera technique.

Conjures before one's vision, a dream of beauty- of caves, hidden in the midst of a lonely glen with a streamlet flowing down below, caves that were scooped out into the heart of the rock so that the pious Buddhist monk, out on mission to spread the tenets of Buddhism could dwell and pray, caves that the followers of Lord Buddha, embellished with architectural details with a skilful command of the hammer over the chisel, with sculpture of highest craftsmanship and above all, with the paintings of infinite charm.

At Ajanta, the paintings on the walls, illustrate the events in the life of prince Gautama Buddha, the founder of Buddhism and in the more popular Jatakas stories pertaining to Buddha's previous incarnation. According to the older conceptions, the Buddha wrought many deeds of kindness and mercy in a long series of transmigration as a Bodhisattva, before achieving his final birth as the sage of sakyas.

Incidentally they contain the scenes of semi-mythological history, the royal court and popular life of the ancient times, as told in romances and plays. Some pictures recall the Greek and Roman compositions and proportions, few late resemble to Chinese manners to some extent. But majority belongs to a phase, which is purely Indian, as they are found nowhere else. These monuments were constructed during two different periods of time separated by a long interval of four centuries. The older ones were the product of last to centuries before Christ and belong to Hinayana period of Buddhism in later part of 2nd century AD when Buddhism was divided into two sections, after the conduct of the fourth general council under another great king, Kanishka.

Rediscovery

On 28 April 1819, a British officer for the  Madras presidency, John Smith, of the 28th Cavalry, while hunting tiger, accidentally discovered the entrance to Cave No. 10 deep within the tangled undergrowth. There were local people already using the caves for prayers with a small fire, when he arrived. Exploring that first cave, long since a home to nothing more than birds and bats and a lair for other larger animals, Captain Smith vandalized the wall by scratching his name and the date, April 1819. Since he stood on a five-foot high pile of rubble collected over the years, the inscription is well above the eye-level gaze of an adult today. A paper on the caves by William Eriskine was read to the Bombay Literary Society 1n 1822. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional, all but unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery, covered below. In 1848 the Royal Asiatic Society established the "Bombay Cave Temple Commission" to clear, tidy and record the most important rock-cut sites in the Bombay Presidency, with John Wilson, as president. In 1861 this became the nucleus of the new Archaeological Survey of India. Until the Nizamuddin of Hyderabad built the modern path between the caves, among other efforts to make the site easy to visit, a trip to Ajanta was a considerable adventure, and contemporary accounts dwell with relish on the dangers from falls off narrow ledges, animals and the Bhil People,  who were armed with bows and arrows and had a fearsome reputation.^[

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